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redaktionsbüro: Nina Schedlmayer
Jarmila Plachá :
- Ms Plachá, Česká spořitelna primarily sponsors music projects of very different kinds. Is there a particular reason for this?
- Česká spořitelna provides different financial products and services for different target groups, hence we sponsor diverse music projects with the aim of offering all our customers an "added value". In human life music is a unifying element and Česká spořitelna is proud to support unique music projects and to introduce them to the public. Seen from the viewpoint of marketing, music events offer the sponsor a marvellous opportunity to introduce a brand or a product.
On the one hand our bank is traditionally a partner of classical music, for example we support the famous "Prague Spring International Festival" or smaller events such as the "Smetana's Litomyšl International Opera Festival". On the other hand we also attempt to introduce our clients to contemporary and international music by supporting festivals such as "Colours of Ostrava“.
- Are these festivals not already quite established? Does your culture-sponsoring programme include younger projects outside the mainstream?
- Well, for example there is the "Khamoro World Gypsy Festival", and the "Respect Festival“, which introduces music from India and Africa. And at "Colours of Ostrava" there is a special feature, the "Česká spořitelna Colours Talents“: as well as giving them the chance to perform there, we also enable young bands to bring out CDs.
- In what way have the music scenes in the Czech Republic developed since the fall of the Iron Curtain? Where have there been gaps?
- There are major projects with a long and successful history, such as the "Prague Spring Festival" referred to earlier, which was started back in 1946. It has not merely survived but has developed so well that it can now invite world-renowned musicians and classical music stars. But whereas the Spring Festival has been respected and appreciated everywhere for many years, in contrast, after the Velvet Revolution, there was a real boom in the current and world music scene: in Prague it was suddenly possible to see stars live in concert – like the Rolling Stones, for example, and that was truly a great experience! At the same time many local festivals already in existence were able to open up and to welcome international acts.
But the initial enthusiastic years are now over, audiences are becoming more quality oriented and they now take for granted that they can choose from hundreds of events, festivals and clubs. Therefore there is considerable pressure to search for new quality events.
- This means that the field has expanded dramatically. Has this also led to a more diverse public?
- The situation is the same as in all European countries: there are some who like classical music, there are rock fans but there are also people who prefer a mixture of different genres and styles. I think that nowadays people are more selective. They want high-quality music, but they are also more open towards new things.
- But is it possible to discern tendencies? For example in Vienna an electro scene has been able to develop that has achieved considerable recognition in the international music business. Is there or has there been something similar in Prague?
- No, here one cannot really identify focal points, there is an entire range of different directions in music.
- What about jazz? Isn't Prague known for its jazz clubs?
- Although jazz is popular it has a rather small target group: upper middle-class people between the ages of around 35 and 60. Unfortunately there is not much more that I can tell you in this area: although I would like to I cannot go to clubs constantly, I simply don't have the time. But next year there will be a festival, "Jazz goes to regions" , during which jazz clubs throughout Prague and also regional jazz clubs will be used and we will also support this festival.
- Apart from music Česká spořitelna also sponsors film ...
- In addition to the FAMUFEST student film festival we also support the "Finále Plzeň", festival that offers a good overview of Czech film. During one week the entire production of Czech feature films is shown, as well as a selection of the most successful and interesting documentary films. And we are partners of the international documentary film festival in Jihlava, which enjoys continually growing popularity
- FAMUFEST was held recently at the beginning of November – what were your impressions?
- For me personally spending three nights looking at student films was really a strong and intense experience. Some films were only a few seconds long, whereas others had a length of more than an hour. Perhaps I was most impressed by the fact that the students have such very different viewpoints – somehow or other they are not as spoiled by commerce.
- Are the culture sponsoring activities of Česká spořitelna based on a programme or a concept – apart, that is, from the focus on music?
- As was said our key area is music, to a lesser extent film and we also support a number of other individual projects. Our strategy is to develop long-term partnerships using important projects.
- How are these projects selected, by a jury?
- Choosing the right projects is not easy. They must correspond with our brand values, our vision and our mission. We receive over a hundred applications for sponsoring every month. We evaluate them and then present those that seem most suitable to a sponsoring committee that meets every three months.
- And who sits on this committee?
- Boris Marte, head of Corporate Sponsoring of the Erste Bank, as well as representatives of the bank as Jack Stack, CEO of Česká spořitelna. And of course we also hold discussions with experts from the culture scene.
Jarmila Plachá has been Head of the Department for Corporate Marketing und Sponsoring of Česká spořitelna in Prague since June 1, 2005. She studied English and Journalism at the Arts Faculty of the University of Brno. After graduating she continued her studies at the CMC Graduate School of Business in Čelákovice. In addition to culture sponsoring she is also in charge of the social and sport sponsoring activities of Česká spořitelna. She is also responsible for Foundation of Česká spořitelna , as well as overall marketing communication and advertising for corporate business.

Nina Schedlmayer (born in 1976) lives and works in Vienna. She works as a free-lance art critic, writing also for profil, artmagazine.cc and Camera Austria.


Text published in: REPORT.Magazine for Arts and Civil Society in Eastern- and Central Europe,December 2005